First Nalbinding Project in Progress -- the classic Oslo stitch hat

I finished the last strand of random cotton and called my practice piece done.

The top three stripes were done using the F2 connection maneuver. They are a little tighter than the bottom stripes, but I don't know how much is due to doing F2 instead of F1 and how much is due to me getting a bit faster, smoother, and more consistent as I learned.

And then I started my first real project.  A hat using Oslo stitch with  the F1 connector stitch (1 + 1 F1) is a fairly common first project.  So why not?

It looks like a hat, yay, and very much like the hats I see people around me wearing.

Dunno if it's gonna be too big or too little.  If so, I'll find someone who fits it and/or will flip it upside down and turn it into a basket/bowl or a bag.

The yarn is probably acrylic.  It's a fairly chunky (a bit thicker than Aran weight) single ply yarn.  And I'm using my yarn needle again.

I started with 8 simple stitches into a center loop, then pulled the loop shut.  The stitches weren't made around my thumb -- I used the needle, with each new loop (buttonhole stitch aka half hitch) going through the center loop and the previous loop.

Then I switched to Oslo stitch.  One loop over the thumb.  One loop behind the thumb.  The working thread coming out from underneath the front loop.  The new loop goes through the back loop (front to back) then swivels around and goes under the front loop and working yarn, making a new loop over the thumb.  The old thumb loop becomes the new back loop, and continue.

I used the F1 connection maneuver -- the new stitch goes into the top/front loop of the stitch in the previous round, from front to back, before going into the back thumb loop.

First round -- two stitches in every stitch.  (i.e. increase in every stitch)

Second round -- two stitches in one stitch, one stitch in the next.  (i.e. increase in every other stitch)

Third round -- same as the second.  I noticed that the center round was forming a little point and wanted something that would lie flatter, so I did another round with a lot of increases.

Note to future me -- use more stitches in the initial starting round next time.  Many people use 10-15.

Fourth round -- two stitches in one stitch, one stitch in the next two stitches.

Fifth round -- two stitches in one stitch, one stitch in the next three stitches.

I decided that the hat was plenty wide enough at this point and then continued without any further decreases.

I don't really know how many stitches I have.  I'll have to count at some point.  I'm pretty sure I wasn't too consistent in where I stopped one round's increase pattern and started the next.  Not that it really matters, but I would like to have some idea of my gauge, just for fun.

Since this is acrylic yarn, I'm pretty sure, I kind of did a half-assed join where I sewed the ends through each other for a few inches.  It's not a perfect join and the yarn at those spots is a bit loose and fatter than the neighboring yarn.

The next nalbinding post is likely to show the finished hat.

After this, chances are I'll play around with different stitches.  Even the Oslo stitch has a lot of interesting things one can do with the stitch and with the connection options.  I'd also like to do some  flat-sewn nalbinding or at least figure out how to adjust tension for thinner yarns.  Around my thumb works for fat yarn but historically a lot of nalbinding is made from fairly fine yarns.  Plus the whole way that the loops get connected to each other is kind of interesting, and I want to understand the connection between the interconnected loops and how the thumb method helps keep that organized properly.  Maybe a thin rod of some sort (or the needle) was used to make smaller loops?

It feels weird to post a hat in my narrow wares blog.  But I did write, at the very beginning, that this blog was for things that didn't fit in my knitting blog.  My knitting blog is mostly well-known crafts and this one is more obscure crafts, apparently.

Today's Noobish Nalbinding Report

Nalbinding continues, yay.  After the black stripe, I switched from doing the F1 connection to the previous round, to the F2 connection, going through two stitches on the round beneath (the current stitch and the previous stitch) instead of one.  It seems to have a slightly tighter gauge -- look at how the work narrows in the red and white areas, though honestly, it might just be me getting a bit more comfortable and more consistent with doing the moves.  A lot of websites/people do say that the F2 version does lead to a denser fabric, though.

Also, it might be an illusion -- if I do a bit of wiggling of the sampler, it stretches out and all the stripes are the same.  Maybe they're a bit less elastic.  Another possibility is what I've seen in a few places, that one's gauge often tightens up a bit after a few rounds even when one isn't a complete noob.

I'm not sure which I like better.  But I'm expecting that to be true of nalbinding in general.  The different variations and stitches will be different, whether subtly or obviously, but all are fine.  They may have different properties in terms of elasticity, warmth, appearance, durability, etc.  I guess I'll find out with time.

I also have started doing an overlap when adding new yarn rather than tying a knot.  The new yarn traces the same path as the old yarn for a loop or so, and then I drop the old yarn and start the new, just being a little bit careful until the new loops are locked into place.  For "real" pieces, I'm not sure if I'd darn them in or just let them dangle and slowly get felted/fulled into place.  My expectation is that there's no such thing as a free lunch, and it's my choice if I want to spend my time spit-splicing or darning in ends.  (Ditto with all other crafts -- we can decide where we want to spend our time, and where we'd rather take the shortcut in one area that makes more work elsewhere.)

I don't particularly like the looseness of the weave.  Using the thumb as a gauge for the loops leads to a fairly open texture.  It's likely to be a lot tighter with thicker yarn.  I could try nalbinding around a thin dowel or something, or see if I can tension the loops around the needle rather than my thumb, I suppose.

I have one more blob of green cotton left, whether I use it on this piece or try something else.  If I use it on this piece, I'll probably do a few increases and/or decreases just to confirm that they are what I think they are.  Dunno what else to play with for the last round or two.

Then it will be time for a real project.  I'll do either a bag or a hat, probably.  Oslo stitch because it's a classic beginner choice.  Almost certainly the F1 connection version, since I like the hats I've seen on Ravelry where the nalbinder made that choice.  Probably top down, though I haven't decided for sure yet.  I'll probably use some bulky (or at least Aran weight) acrylic.  I'm sure the first project will have oddities and weirdnesses and inconsistencies and mistakes, but the only way to get better is to do the noobish stuff and gain experience.

Then I'll explore some of the other common stitches.  And maybe start using wool.

My beginner sampler almost works as is for a wrist-warmer, though I'm certainly not going to make another one!  Dunno if I'll turn this into a little bag or just toss it into the sampler pile.

Noobish Nalbinding cont'd

Here's the current bit of nalbinding noobishness, and the first pic I've taken.  I've done a foundation chain in Oslo stitch and have started a new round of Oslo stitch, yay, using only one loop from the previous round.

There are still plenty of oddities, as one would expect.

I'm using some random cotton that's lying around and tying knots to join the pieces.  It's a noob piece; I don't care.

Plans are to keep going until I get bored.  I might do a few increases or decreases, but really, those seem to be exactly how it's done in crochet or knitting, so I don't expect any conceptual difficulties.  Reality might be a bit different, I suppose.

And then I guess it's time for an actual useful-ish project.  After that, I'll experiment with some other stitches and stitch variations, and also do more projects and try different materials.

It still feels like sewing.  I guess there's a bit of magic in sewing interconnected loops into a 3D structure.  I wonder how much chain mail takes inspiration from nalbinding structures and vice versa.

Nalbinding -- first steps (and noobish commentary)

I guess I did decide that it's time to learn nalbinding.

I'm doing foundation chains in Oslo stitch, practicing until it becomes smooth and the stitches consistent.  Then I'll learn the various joining options to make circles or cylinders or whatever, i.e., turning this from a cord to a fabric by joining lengths of cords.  (which is how it overlaps with narrow wares and also some types of basketry, straw hats, etc.)

People kept telling me that it was like crochet but in reverse, sort of.  Nope, it really feels like sewing, not at all like crochet.  It seems to consist of sewing loops that intersect with other loops to lock the loops in place, using your thumb as a tensioning and loop-sizing device.  The different stitches seem to be different ways of intersecting the active loop(s) with previously made loop(s).

Since I've started, I'll keep going, at least until I can make the kinds of things I want to make -- hats, bags, mats, baskets, that kind of thing.  Dunno if I'll bother with mittens and socks and other shaped things.  I am curious to test out a nalbinding hat vs a knitted hat to see if the nalbinding one is more wind resistant.

I'm also curious to try out the different things done with nalbinding by different cultures.  It's one of those "everyone did/does some version of it" kinds of fiber technologies.

I'm using one of my knitting tapestry needles and random lengths of whatever worsted-weight yarn I have lying around that is already in short lengths.  I know that a lot of people like using fat single-ply wool.  A friend of mine who spins and does nalbinding says that in her experience 2-ply works as well or better than single ply.  I also see lots of artifacts made from non-animal yarn (i.e. bast cordage and yarns), so I'll just continue doing whatever I feel like doing, at least for now.

No photos yet -- I keep undoing my yarn and then repeating, to gain practice.  My tension is still inconsistent.  Every now and then I get a brain fart and can no longer identify which loop is which, and then I undo my chain and start over.  Sooner or later I'll be able to get that figured out.

I'm not sure if any of the books out there are worth getting.  I'm watching youtube videos and they are painfully slow.  Sometimes that's very much appreciated, of course -- watching the path of the needle and yarn can help me see what's going on.  I'm also checking out websites.  This is another fiber/textile arts community that is quite international and a lot of very interesting sites/videos are not in English.

I'm sure I'll get much better at the terminology as I go on.  For now, I'll ignore it since I'm not sure which system is more commonly used or which I will want to use.  Oslo stitch has the needle going through one loop behind the thumb and one loop in front of the thumb.  It's considered a nice easy stitch for beginners to learn.

Yay, me.

Dunno if I should use a different needle.  Can I rig up something from a piece of wire or a paperclip?  I know I have plastic tapestry needles around somewhere, though the metal one works perfectly well.  Or I could make a few -- whittling/carving, 3D printing, getting a friend who does laser-cut wood things to do it, etc.

Some of what I want to do with nalbinding are the simpler/earlier variants -- the kinds of simple looping and looping-with-an-extra-twist stuff that is somewhere between nalbinding and netting and basketry.  But I do also want to learn Oslo stitch and some of the other stitches that are used to make, say, warm hats and solid-ish bags and mats.

I'm still wanting to learn netting, but that too seems very straightforward to get started in.  We'll see, I suppose!  A family member has a netting shuttle and some learning materials, and I can use a ruler or paint stirring stick as a gauge to get started.  I can probably learn netting at the same time as nalbinding while also exploring other things I'm gaining skills/experience in.

A few idle thoughts

There's really nothing much in this post.

Trenzas por lazos is the term for fingerloop braiding in Spanish, or at least in Peru/Chile.  (There are some really fun braid-related websites and social media accounts and videos and stuff in Spanish)

I'm thinking that it might be time to learn nalbinding on more than an idle/occasional basis.  The people I know who do it mostly don't live in the area any longer, and there have been requests for classes.  So I think I might go back and learn it well enough to teach others.  Well, as long as it doesn't annoy me too much.  Should that be in this blog or in my knitting blog?  I write about sprang in this blog, and nalbinding is in the category of weird specialty techniques, so maybe it should be here.  Ditto for netting, which I do plan to keep in this blog.  And ply-splitting, too.

But it's traditionally used to make fabric-like items such as hats and mittens/socks, which would put it closer to the knit/spin/dye/weave/crochet subjects that I discuss in the knitting blog.

Dunno.

I'll probably keep it here, because it overlaps with a lot of other techniques that I write about on this blog.  I could always start a new blog for things that aren't quite narrow wares and aren't quite modern.  But I'd rather keep thing simple.  Nalbinding isn't knitting, crochet, or weaving.  That means that basketry will probably be included in this blog, too.  (Hmm, did I write about my foray into learning how to make wa'paas a few years ago?  Or other basketry research and explorations?)

I've been asked to demo braiding this weekend at a Scottish festival, but I'm thinking maybe not this year.  I might still change my mind, especially if they need more people to demo stuff.  But I've had a lot of busy weekends for the past several months, and there are some household things that need to happen soon-ish and that can only happen on weekends.

Again, dunno.

I have a requested tablet weaving commission but it's not due for a few months.  It should be wide enough to be a belt or instrument strap (1" or so) and should look reasonable on both sides.  I'll probably do something rainbow-ish again.

I still have a long list of things I want to do -- braid a few belts, do more sprang, learn netting (as in bags and fishing nets and hammocks), do some more complicated tablet weaving, and plenty more.  I am doing a fair amount of knitting and spinning at the moment, so it's not like I'm completely idle or anything.

I mostly wanted to write this post to include the Spanish term for fingerloop braiding.  It was an advertisement for a class and the video that accompanied it showed fingerloop braiding, so I'm pretty sure "trenzas por lazos" is it.  Braids with bows.

A narrow rainbow striped tablet woven band

This was done as a gift.  It's a simple pattern but of course very effective and fun to weave.  I did this on 14 tablets, all 4-threaded, all warped with just one color per tablet, 2 of each color (red, orange, yellow, green, blue, purple) and 1 tablet of white on each edge, to match the white weft.  Orientation is alternating / and \ and the turning is all forward.  It looks the same on both front and back.  The warp and weft are all big-box-store #10 crochet cotton.

The band ended up being about 1.5cm wide (9/16") and about 230cm long (about 89-90").  I hope the recipient likes it.

And I suppose it's a color wheel band as much as a rainbow band, depending on what one thinks about the blue/indigo/violet continuum and why the rainbow was defined as having 7 colors in the first place.

There's not much else going on.  I did teach two classes last weekend.  It was fun!

I'm not 100% sure about how I taught lucet.  I taught the no-turn method first and then the turn method.  I think I should have done the opposite, mostly concentrating on the turn method and then at the end showing how it can be done without needing to turn.  Well, I wanted to follow my friend's teaching plan since I was subbing.  And I haven't taught lucet in a class-like setting before.

Someone else at the event showed me something obvious yet very helpful when doing the no-turn method -- instead of wrapping both sides of the lucet and then pulling the old thread over the new, wrap one side, pull thread over, then wrap the other side, pull thread over, etc.  It makes conceptual sense, makes it easier to control tension, and in my opinion, shows more clearly how both the no-turn and the turn methods are really the same.

People learned how to work a lucet and they all seemed to go away happy, so hopefully I was sufficiently effective as a teacher.

The other class on disk braiding (8-strand Z-spiral kongo gumi) went well, too.

What next?  Quite possibly sprang or braiding, though I never really know for sure what will catch  my fancy.  I have such a long list of things I want to do, across so many techniques.

My 200th post on this blog went by last month.  Clearly I didn't notice so didn't do any kind of summary of the past or plans for the future or anything else.

I've learned a lot over the years.  I hope to keep learning.  And of course, having fun in my narrow minded way.

Dunno what I'll do if Google gets too weird with blogspot, but I guess I'll worry about that if and when things start getting weirder.

Some August Ramblings

Wow, August already, and almost to the end of it!  The light has turned and the daylength is changing rapidly.

What have I been doing since my last post?  Well, not a lot of stuff, I guess.  I've been busy with non-narrow-ware tasks.

I have a new tablet weaving commission, something that should be simple yet effective for its purpose.  That'll be for next month.

But first, I am doing some teaching this weekend, yay!  A friend was going to teach, had to back out, and I offered to take over and teach the already-planned classes.

One is on lucets.  I can do basic lucet cord.  I'm no expert but I don't need to be for this class.  I'll teach both the no-turn and the turn method.

I did a little research about lucets since I know there's some argument for how old the technique is.  Most of the argument is about which archaeological artifacts might have been lucets.  Eh, lucet cord can be made using all kinds of things, even one's fingers.  However, I cannot yet find any definitive evidence of cords made with this technique.  Cords made on a lucet superficially resemble cords made from a few other techniques, but even so, it has some unique characteristics that hopefully someone would have picked up on.  Cords and other narrow wares are woefully understudied, alas.  Maybe I'll find something, or maybe the evidence doesn't exist yet.

The other class will be on disk braiding, and in particular, an 8-strand braid, which I've decided means the Z-spiral kongoh gumi braid that is well known, popular, and works well on a disk.  If there's time and interest, I might show people how to reverse the spiral direction and make zigzags.  Or have them set up a couple of different color/texture patterns.  The friend likes to use weights for disk braids, so I'll discuss that, too, even though I tend not to use them myself.  (I do use them on a marudai.)  I'll mention how this braid can be expanded in multiples of four strands and that all kinds of cool color/texture patterns become possible with more braiding elements.

Kongoh gumi isn't a very old braid, either, as far as I can tell.  It's not a fingerlooped braid.  It can be made freehand.  But in the Japanese kumihimo tradition, I believe it arose with the development of braiding stands.

Once I have free time again, twill braids and sprang are high on my to-do list, along with some fingerlooped braiding, netting, and the other usual things I tend to obsess over.