Time for some little pinwheels

This is the start of my next tablet woven band.  It's probably less than 1cm in width.  It's very cute!  And also very easy and relaxing to weave.

I was looking at tablet weaving projects on Ravelry to see what cool things other people were doing and saw a band with this pattern.  It's been on my to-do list for a while, and, well, I decided that today was the day.  I charted it from the person's photo, but also found it a few times in the public patterns on Twisted Threads, and it's also in Tablets at Work (by Claudia Wollny), p.118, and no doubt on other websites and in other books/mags/etc.  The motif looks like little flowers or pinwheels, in my opinion.  The band is reversible, too.

Anyway, I quickly warped it up and started weaving.  I don't need to think, just turn the tablets and throw the weft, repeat until it's time to advance the warp and work out the twist, and then continue.

The band calls for 9 tablets, alternating / and \  orientation, 4-threaded, all-forward turning.  As usual, I'm using big-box-store #10 crochet cotton.  I'm not sure what the weft is -- it's some kind of cotton leftovers that could possibly be the same thing.

Dunno what I'll do with it when it's done.  Dunno if I'll turn my Twisted Threads chart public or keep it private or even delete it -- it's not like this is any kind of unique pattern.

My previous tablet has been soaked in water and wound around a cardboard tube to see if that'll straighten out the slight twist.  Not that it's related to anything else in this post, but I just wanted to mention it.

One reason I'm doing this quick little pinwheels band is because I really am thinking about doing a sampler of various double techniques.  And, because the Universe works this way, someone else has been posting about Icelandic double cloth, which is one of the things I want to explore with the sampler.  I don't understand how or why there's some kind of Collective Subconscious about tablet weaving but I do seem to be part of the hive mind in my own little way.  Eh, probably there are always people posting about all kinds of things, but I mostly notice the ones I've also been thinking about lately. The existence of a Collective Subconscious seems more cool, though.

I'm writing the following paragraphs to remind me of what I want to explore in this potential Doubles sampler.

Double face.  I want to get a rough gauge so I can plan out a different project.  In other words, how long a warp will I need in order to include my planned inscription and related motifs?  Will the warp need to be longer if I want to include everything, or is everything sufficiently short that I will need to add more motifs to get to my minimum desired length?

I want to do the \ / type double-face, and also the square-block double-face, where all the tablets have the same orientation.  For the square-block double-face, I want to see how many tablets I need to actually get squares -- 3? or 4?  Is my gauge/tension different for doing SZ vs ZZ double-face?

I want to look at different edge treatments and their effects on gauge -- all forward turning all the time, versus only turning the side where the weft is about to go through.

I want to explore the thing I've seen where tablets turn 180º to change colors.  Collingwood has a paragraph about this on p.199, I think, in a section talking about "working with half-turns between picks".  There's also something about hopsack using 4 threads per tablet on p.148.

Shelagh has a little something about turning tablets 180º in her pdf about doing one of the double-face Durham seal tags -- she calls it double-faced repp:  https://www.shelaghlewins.com/tablet_weaving/double_faced_repp/double_faced_repp.pdf but I'm not sure it's exactly the same thing.  Something to explore when I get there, I guess.

I want to do Icelandic double-cloth, and to see what motifs look like in this technique vs block-style double-face.  Claudia Wollny has a chapter on this method, and I think Collingwood's discussion starts on p.157, "warp-faced plain weave double cloth".  This too will be an opportunity to see if I need 3 or 4 tablets of each color to make a square block.

Collingwood talks about what might be a different method of doing double-cloth starting on p.129 in a section called "two-strand warp-twined double cloth".

I want to chart out a few capital letters for an inscription in my future different project, and maybe chart out a few specific motifs if I can't find something suitable that someone else has already charted out, plus maybe weave motifs where I have a chart but not what it looks like when woven.  I'll probably use one of Linda Hendrickson's charted alphabets which is why I want to come up with some capital letters to go along with the lower case letters.

I want to continue improving my set-up for doing continuous warping.

I have no plans to do 3/1 twill or Sulawesi or other related techniques for this sampler.  (everything is related to everything...)  The primary purpose is answering basic questions about SZ and ZZ double face and double cloth.

Maybe this is an entirely imaginary exercise.  But maybe I'll do it.

In the meantime, I'll be weaving little pinwheels.

I'm also feeling the urge to do some other things -- braids, slings, sprang, netting, basketry, and some of the simpler things in Collingwood's The Maker's Hand.  Plus all the non-narrow-ware stuff.  Plus I have a few other tablet weaving patterns that I might want to do before I start the sampler, of this same simple type (i.e. fairly straightforward and not requiring a lot of individual tablet manipulation).

Real Life is rather busy, though, and it takes precedence over all the just-for-fun stuff.  Hopefully I can get through enough Real Life things to squeeze in some time to play.

I like zig-zags

I was randomly looking at pics of tablet woven bands and saw one that I thought a friend of mine would like.  So I decided to weave a copy -- same pattern, same colors, etc.  I recharted it to make sure I understood what was going on, then warped and wove.

It's a very striking pattern.  Well, a simple pattern, but the three colors and how they're arranged make for a sharp and striking-looking band.

The pattern is from someone's project on Ravelry: https://www.ravelry.com/projects/Patrick-Zein/warp-6-lingonberry-belt

The little blips in the edging are kind of a medium sage/olive green color.  The other colors are red, black, and white.

This pattern is of course just like so many other zig-zag patterns out there, but the colors really help it stand out.  I'd like to try it in other color combos.  It could also be interesting as a 3-hole pattern.

I used the usual big-box store #10 crochet cotton.  I think the weft was leftover crochet cotton from previous tablet-woven bands rather than leftover doily-knitting cotton.  It was red to match the edges.

This band has a bit of torque to it, probably because the edges all lean in the same direction rather than alternating.  I think I'll alternate them next time I do this kind of band (i.e., / \ / for the three edge tablets).  There are 12 tablets total, 6 for the center and 3 for each edge.  The central pattern tablets are 10F/10B and the edge tablets always turn forward.

The unblocked band is about 1/2" wide and about 65" long.

I had thought my next project was going to be a sampler of "double" techniques.  I guess not!  Another exploration of zig-zags is always a fun thing to do.  I have no idea what my next project will be.

Flash (in a flash)

Well, not quite in a flash, but still fairly quick.  Once it was warped up, all went smoothly.  Warping didn't take all that long, either, considering that there were 27 tablets.

The photo above is unblocked.

The band is about 1-1/8" wide (30mm) and about 63" long (160 cm).  It is indeed reversible -- the photo shows both sides of the band.

I enjoyed making this and should keep it in my repertoire for future commissions.  It's a very easy pattern that looks more complicated than it is.

As I wrote in my previous post, this is the Flash pattern by Catherine Weaver, from her blog: https://www.tabletweavingintheoryandpractice.co.uk/2024/06/flash.html.  Her version is 17 tablets, but I adapted it to be wider by adding 10 more tablets to get another set of 2 pattern motif stripes.  (each stripe is 5 tablets wide, and the stripes alternate twist directions and colors and zigzag placement.)

The color contrast is not quite strong enough but the colors do go well together.

This is the first band I've done in several months.  And, alas, the first one done since the household's most helpful (not) feline weaving assistant passed away last September.  The other feline weaving assistants are not as spry as they used to be and had some trouble getting to the weaving area.  The band is not completely covered in cat hair, and I didn't have a ton of feline assistance that needed to be undone.  It's bittersweet to not need to fend off cats and pick off fluffs of cat fur while warping and weaving.  They did keep me company, at least, even if they didn't sit on the warp.

Dunno what's next.  I guess I'll find out when it happens.  There are things I want to do, but real life takes precedence and there are other things going on that are higher priority for now.  Darn it.

Space! and a bit of Time!

It's been a busy few months.  My little weaving area has been in storage for way longer than planned.

But finally, I've managed to find some time and the weaving area was available, and now I'm set up again for a bit of weaving.

I'm doing a very simple pattern, Flash, by Catherine Weaver, from her blog: https://www.tabletweavingintheoryandpractice.co.uk/2024/06/flash.html

I expanded it by another 10 tablets (another set of alternating light/dark pattern motifs) because I wanted a wider band.  I'm not sure who will end up with it, but it could be a strap for a musical instrument or a case/bag/purse, or a belt, etc., as well as just being used for trim.  So I wanted something that was at least an inch or so wide since that seemed like a more useful width for its eventual purpose.  Having it be reversible was important, and I also wanted something that would be quick to weave.  Usually I set up something like stripes, but this pattern caught my eye.  It's only slightly more complicated than stripes and still has a stripe-like feel.

The colors in the original are red and yellow.  I'm using teal and sage, in my usual big-box-store #10 crochet cotton.  Why teal and sage?  They have good color contrast, I have a fair amount of each color, and I don't use these colors as often, especially for historic patterns, so this is a good opportunity to use them for something cute.  Plus the two colors look good together.

It's going well.  I do like the rhythm of tablet weaving, even something as simple as this.  I'd make this pattern again because it's very striking, lots of bang for the buck.

I took a photo of the band-in-progress but the light is wrong so it's hard to see the pattern motifs.  Eh, not so important.  I'd rather get a post out on this blog (the first in MONTHS!!!) rather than spend a lot of time on my nearly non-existent photo skills.  Therefore, this post is text only, no pics.

Hopefully I'll be able to keep doing stuff after this band is finished.

Andean-style braiding progress since the last post

There's not much progress, honestly, but I am doing things at spare moments.

I finished the zigzag braid.  I like it and feel like I'm slowly getting better at the physical movements and am understanding more of the theory behind it.

Then I started a new braid.  This braid has one side twisting clockwise and the other side twisting counterclockwise, to make a braid that is a straight square instead of a spiral.  This is a pretty common braid that can be made in several ways.

I wanted to try this braid to see if I could match the braiding pattern on a photo of a sling from the Silk Road area (in Asia) that I saw in an online museum archive.  I'm not quite there yet but I am getting to practice a couple of new things.

It's an intentional pattern design so I have to keep track of which strand goes where and when.  Also, the colors are aligned vertically rather than spiraling, which means alternating the twisting directions on the N/S versus the E/W sides.  And one side is all the same color, so I have to keep track of which thread is the lower vs the upper, the left set of threads vs the right, and so on.  One additional thing is that this is in a fairly thick cotton yarn; dunno if that adds anything to the complexity but it is different from doing it in a fairly thick acrylic yarn.

As with other braids I've tried, I started in the middle, braiding the square braid with 4 strands (3 white and 1 green).  Then I joined the ends together into a loop, and continued downwards with 8 strands.

My braid isn't perfect but it's getting better as I make various mistakes, realize what's going on, and then try to improve.

In addition to looking through Adele Cahlender's book on Andean Sling Braiding, and through Roderick Owen's books, I also used Jean Leader's explanations from this page on her website: https://www.fascinatingbraids.com/sling.html and in particular, her instructions on Sling Braids with Spirals and Stripes.

I'm not sure what's next.  I do want to make a few hemp slings and share them with my friends.

Everything else is on the to-do list, too.  But life is busy, and other things often take priority.  Although I do fun things when I have a chance, I don't always end up with something interesting to photograph or write about.

Yet another novice level post on Balearic-style slings and Andean-style braiding

Zigzags!  I've done a zig and a zag and have started the next reversal.  I'm trying to do about six repeats between reversals, though I'm not keeping track all that closely.  My consistency is improving, yay!  And I think my understanding is improving, too.  I guess I'll find out as I keep braiding, start the next braid, etc.

I've also made another sling using the same instructions and methods as last time.  Hmmm, the sling is a bit less than a meter long, so I do think I'll make the next one longer.  The first one is also a bit less than a meter long.  This second one has a slightly longer pouch but a slightly shorter finger loop.  The release cord is about an inch longer than the retention cord (when I fold everything in half around the middle of the pouch).  I had thought the two would look and feel a bit different from each other, but no, they don't!  So I guess I have a ways to go before I'm content with the consistency of the braiding.  Or maybe this is good enough and I'm too picky.

I might soak this one to see if that makes a difference in how it looks, whether it stretches out or evens up, etc.

Dunno what I'll make next.  Maybe do this one again, but maybe a bit longer and maybe with 5 strands instead of 6.  Or 10 instead of 6.  Or try a braided sling with a woven pouch.  I guess I'll see what inspiration strikes.

I'm also starting to feel like I want to start some tablet weaving projects.  I'm not sure how much longer it'll be until I can set up my little weaving area again.  The sling-braiding and the fist-braiding don't take up much room and can be done anywhere.  For various reasons, weaving takes up more space and needs a dedicated spot where I can walk away for a few hours or a few days and things can be resumed without too much trouble.

I believe that's it for me today.

More sling chatter (and a new braid)

I showed my first sling to someone who knows how to use a sling.  This person confirmed that it looked and acted like a perfectly reasonable sling, yay.  This person usually makes slings by attaching paracord to a sling pouch made of duct tape.  I love that slings are so low-tech with so many ways to make them from whatever convenient items are in your local environment.

I've started another Andean in-the-fist braid.  I tried with 8 strands (4 strands folded in half) first.  It was difficult for me to see which was the lower and which was the upper strand.  So I cut another set of strands, and I'm doing another braid the same way I did the first.  It's going well.  I'll probably start zig-zagging soon, and then, depending on how much yarn is left when I get tired of that, will try some other variations.  At some point I will return to 8-strand braids!  Though it amuses me that the 16-strand braid is easier to learn on.

I've also tried a new-to-me braid.  I'm pretty sure I've done something very similar using a different technique.

It's from a youtube video on making a sling.  It's in Spanish, so they of course use the local terminology of Honda or Waraka.  Here's part 1, which shows the braid and the first half of the sling's construction: https://www.youtube.com/watch?v=KMJAAkhHcZE and here's part 2, which shows the woven split pouch and the rest of the sling's construction: https://www.youtube.com/watch?v=Kw1chCl6fXs&t=616s

The finger loop, made with 4 strands, is the standard 4-stranded cord made all around the world.  I like this particular method, where diagonally opposite strands twist past each other, alternating the twist direction.

Then it's joined, and the new braid is a braiding technique I've not done before.  It's a 4-strand braid (each strand has two pieces of yarn).  I'm pretty sure I've done this braid structure on a marudai and also through fingerlooping.  But this is a freehand braid, and it's kind of cool-looking and fun to do.

Not that I'm perfect at it or anything.

The video demonstrates the sling construction using a fairly thick single-ply yarn.  Interesting.

I wonder if I should do a track plan and compare it to the other braids I believe this resembles?

The braid is slightly elastic, though more so in compression than in tension.

I only used enough yarn to play around with the braid rather than doing a full sling.

The split pouch is one of the styles I see in the books (and websites and videos) on Andean slings I have access to.  I'm looking forward to trying it when I decide to make that style of pouch on a sling.

I wonder what the braid would be like if I use more than 4 braiding elements?  Also, will I get faster with time, and how will that compare with other braiding techniques?  The braid in the video was secured at the top, while I was randomly holding onto it while braiding.  Maybe I'd be faster if it was hooked to something.

I have no idea whether this is a traditional technique or a more modern shortcut.

My stash of random acrylic is getting low.  I also use it for charity knitting and share it with another charity knitter/crocheter.  We're both fairly productive; there's not much left.  My second in-the-fist braid is using different colors because some of the skeins of yarn I used in the first braid are now with my friend, being turned into charity hats.