Two-hole diamond pattern booped to completion

 Well, except for the blocking, but that'll happen soon.

It ended up long enough, whew.  I warped about 11' and ended up with close to 9'.  Well, 106" (before blocking), but if I'd needed to and was willing to deal with the aggravation, I probably could have gotten another couple of inches woven.  It's about 3/8" wide (11mm or so), which also fits in with the request for a narrow band.

It was a reasonably fun and relaxing project once I settled into the booping-along phase and I like how it turned out.  I hope my friend likes it, too.

Now I get to dither about what to make next.

Two hole X and O tablet woven band progress

I wrote about this in my last post -- a long tablet-woven band for a friend, in a 2-hole X and O pattern that is based on something found in Siksala and is also a common motif from Antinoe and wherever else 2-hole tablet-weaving is done.

I started with a pic from one of Aisling's instagram posts.  It showed a striking 2-hole pattern of red and blue Xs, with the O's subordinate to the Xs.  I liked that a lot.  As far as I can tell, the etsy pattern she based her band on had only two colors.  That's also true of the Antinoe/Coptic band patterns in Aisling's book (and the museum samples her book re-creates).  It was quite simple to chart out the pattern just based on the photo.

My friend showed me a pic of the fabrics the band will go on and requested colors to match -- turquoise, purple, and taupe (well, a medium beige-y brownish-grayish color).  So I warped up.  Purple for the middle X, aqua for the outer two Xs, taupe for the background, taupe and purple for the edge tablets, and purple for the weft.

Here is where I will digress to talk about warping.  Ugh, I still have so much to learn.  I ended up using a warping board since I didn't have conveniently-placed areas to set up C-clamps and using my inkle loom wouldn't be long enough.  I wasn't able to keep the yarn balls untangled so continuous warping wasn't working well.  I don't have a set-up to keep the balls from bouncing around yet, and that seems to be key for successful continuous warping.  It wasn't too bad to do a few tablets at a time, in hopes that will reduce the tangling.  Mostly I'm trying to keep the unwoven warp ends from tangling too badly, since this is a long warp and the ends can be a pain to keep straight.  Oh, well.   Also, the floor had more cat fluff on it than I realized until I found myself removing little cat fur pills from everything.  That will haunt me for the entire warp, alas.  And it won't be helped by the cat's continuing assistance, such as sitting on the warp and shedding, playing with and sitting on the unwoven warp ends, etc.

Someday I'll get warping streamlined.  It's not so much cutting a bunch of threads and warping.  It's more about keeping things under control so they don't tangle so badly.  Even continuous warping offers great scope for tangling what with the tablets bouncing around and needing to rotate or flip tablets to get them in the correct orientation for the pattern.

Anyway, off I go.  It's really fun, as two-hole always is.  Bright little Xs, etc.  But then I looked at the backside.  Ooh, I like that better!  Bright little diamonds in two colors, surrounded by the neutral/taupe background!

Hmm, should I alternate areas of colorful Xs and then colorful Os?  I thought about it for a little while, then decided I didn't want to keep track of how many repeats before switching.  This will be a long band with simple weaving, and I'd rather zone out and enjoy the rhythm.

So I unwove back to the beginning.  The purple weft was pilling a bit and picking up cat fur, and there probably wouldn't have been enough for the full band.  Hmm, maybe I should change that, too.  I found a bit of taupe-ish thread in the doily leftovers stash that looked reasonable as a substitute.  That's what I'm now using.  It's almost certainly DMC Cebelia #10.  I do like the little colored blips at the edge of the band that I get when using a weft color that contrasts with the edge warp color.  It's ornamental.  I also like hiding the blips by matching the color to the edges, which had been my original plan.  The band will look good either way.

I am booping along happily now.  Yes, changing out the weft and slightly altering the turn sequence was the right choice, at least for my own aesthetics.

 

The above pic is near the beginning so I'm still futzing around a bit with how tight to pull the weft and all that.

It amuses me that at first glance the band is so different from the pic that inspired me.  I mean, it's really the same, just two steps from the inspiration, which was itself two steps from its own inspiration, and that too was an interpretation of the original artifact.

Hmm, the band might be cuter with 4 more pattern tablets in purple/taupe to add another set of purple diamonds.  But no, I think I'm good now. Time to crank out pattern repeats!

I'm already dreaming about what I might want to tablet-weave next.  More two-hole?  That's always an option!  Or maybe I should make sure I understand Icelandic double-weave or do more Sulawesi.  Broken 3/1 twill is also calling to me.  Or maybe more cords or some double-face.  So many options, and they all make me happy.

I still need to do some experiments to see if I can reduce elongation in my tablet-weaving.  Some of it relaxes out when I soak/wash/iron the band after it's done but nowhere near all.  I've seen at least one person say that it's typical for cotton.  Dunno if that's true.  I should try some wool to see.  Also, maybe backstrap might help?  I certainly do pack the weft down pretty tightly (I can tell by the difficulty I sometimes have in unweaving), my weft is not pulled too tightly, and the elongation appears to be relatively independent of weft thickness (though thicker wefts might help -- I'll have to experiment).  It also appears to be relatively independent of weight/tension, at least for the set-up I have.  For two-hole, I could also try the thing where the edge tablets (the 4-threaded tablets) only turn every other row rather than every row.  It's also possible that I like the more relaxed feel of my bands, and that I would not like the stiffness of a band that was way more tightly woven even if the motifs were forced into squareness.

Plans and reminders

I taught some fingerloop braiding last weekend, and as a result of that, will be doing it again at a different venue in a few weeks.  It'll be a mix of fingerloop braiding and the 7-strand Fill the Gap disk braid.  Hmm, what braids do I want to have available to teach?  I'll want to have a few things in mind that will be suitable for the skill levels and experience of the people I'll be working with.  Heck, maybe some of them will be able to show me new things, too.

The teaching I did last weekend (and will be doing at the end of the month) was informal, a kind of choose-your-own-adventure, drop-in, make-and-take, demo kind of thing.  I was braiding more of the little chevron 5-loop D-shaped fingerloop braids (https://loopbraider.com/2017/08/30/uo5-11-triangle-patt/, the single-color variation of the bicolor chevrons) and people wandered over to join me.  The friend with whom I was doing those 6-loop unorthodox Sion braids came over, too.  So... we showed someone how to braid those.

Someone else had never braided before, so I started them off with a basic 3-loop orthodox fingerloop braid, done V-fell, with its three common variations (split/doubled, square, and flat).  After that, I showed them the 4-loop braid that is the same as the Skjoldehamn hood ties, from the class I taught about a month ago, using the method of the Wayuu people.  The person I showed said it looked a lot like the braids used on Karaite prayer shawls.  And wow, it actually is the same braid (though I think Karaites typically use freehand braiding techniques rather than fingerloop braiding).  So that was kind of cool.  As far as I know, other strains of Judaism use different cord structures for the fringes/braids/knots.  Plus there's a cool discussion to be found about what blue dye is or was originally used and what is now permissible -- indigo (woad or another indigo), murex purple, something else entirely, etc.

I'm pretty sure I demonstrated/taught a few more braids but I can't remember who or what.  And I forgot to take pics of the braids I made before giving them away.

I'll probably do the same kind of drop-in braiding thing rather than a formal class for the next go-round.  The disk braiding will also be pretty straightforward.  A friend gave me some foam disks to share, so I'll have those available.  I need to make more cardboard disks to hand out since I'm low on those.  My friend also gave me some foam disks with more than 8 slots, should I someday want to teach some of the other braids that can be done on a disk.  I probably won't do that this time.

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The other thing I'm doing that is narrow-wares-related is planning my next tablet-woven band, yay.  It'll be for a friend, who has asked for something longer than I usually do.  So I'll have to rig up something to measure out the warp, and hopefully keep it under control as I get going.  I expect that the cats will be their usual non-helpful weaving assistants.

I think I'll be doing a two-hole band that is very similar to the Antinoe E28288 band I did (and loved making) last year.  It's actually one of the Siksälä bands, one of the remaining fragments of Matus CC : 14.  And to claim that's my inspiration is a bit of a lie -- I saw a pic on Aisling's instagram page and thought it would work well for my purposes.  She said that she got the pattern on etsy and that it's a Siksälä pattern.  I looked at Aisling's pic and charted it out myself and then tracked down the historical reference to double-check my charting.

This is from the Siksälä II pdf publication, p. 203 --  Siksälä Kalme II Matuste ja leidude kataloog, by Heiki Valk, Jaana Ratas, and Silvia Laul, 2014.  There's all kinds of cool stuff in the pdf that is of interest to the narrow minded.

The colors of the original may or may not be discernible, and may or may not match the colors in Aisling's version, but I'm choosing colors to match my friend's preference so it doesn't matter.  My color arrangement is very much influenced by Aisling's.

These little 2-hole X-O patterns are pretty common -- various versions of this motif are also in Eva Sandermann Olsen's section on Latvian-style 2-hole tablet weaving, and in the Celaines book, and in general, are pretty easy to come up with just by fiddling around.  I'm not even sure which etsy pattern Aisling is referring to, though I think it might be the yellow and green one offered by Hrafna Norse Crafts.

(The above pic is the example from Olsen's wonderful free Tablet Weaving pdf.)

Anyway, I love two-hole patterns, I think this will look good in my friend's chosen colors and for the intended application, and it is a straightforward pattern that won't require excessive concentration to weave.

I also want to do a few more 2-hole brick-type patterns.  There are some colorful ones in the Celaines book that appeal to me in addition to various Karisto/Pasanen and general social media (as in, I don't remember their names) 2-hole patterns.  I saw someone else last weekend who was making tablet-woven cords (from one of the patterns in Tablet Woven Treasures) and now I too want to make more tablet-woven cords.  And everything else -- there are so many fun things I want to make, and not enough time/energy to do it all at once.  I like to savor what I'm doing and that means it takes a while to get to everything I want to do.  There are things I may never get to, alas.  But I am enjoying both the process and the finished creations, and I always have a long list of things I'd like to make and do.

Hopefully I'll have some more interesting pics next time I post.  Mostly I wanted to get my thoughts and ideas down, to help me plan and also to help me remember.

More April tablet-weaving

 Wow, I haven't posted for a while.  I have been tablet-weaving, though!

I finished the backstrap-woven band.  I still need to work on how to rig up the backstrap so that I can weave comfortably and also advance the warp without too much hassle (and remove excess twist every now and then).  I do want to have a portable way to weave, so I'm motivated to keep practicing.

Next up are a couple of brick patterns.  Above is a pattern I've done before and will no doubt do again.  I do like this simple two-hole spot band, though I have a tendency to give them away.  This one is white with dark purple edges and spots.  I need to make a few more in different color combinations.

This blue/green one is from a post on the Karisto/Pasanen Lautanauhat/Tablet weaving Facebook page from August 19, 2021.  Mine isn't as cute, sadly.  Instead of lining up the speckles, I offset the middle speckles from the edge speckles.  This improved things a bit.  I'm not sure why I don't like mine as much as the one on the Facebook page.  I'm going to blame wool vs cotton even though that's probably not it.

This next one (above) is a cotton version of a wool band that was found in a grave.  The actual pattern is in a newly published book along with other details of clothing from the person in the grave.  I used a version of the chart that I found on Aisling's blog/website, but added back in the tubular edges that Karisto/Pasanen show on Facebook in their re-creation for the book.  The grave is from 13th century Finland.  It is known as the Ravattula Ristimäki grave 41/2016.  This particular band (or two of them, actually) had attractive tassels and were used as garters.  I made one band and it has no fancy finishes.  Anyway, I like it and I'll probably make it again, possibly in different colors, either with or without tubular edges.

There's one more band that I wove in April.  I saw it as a piece of trim on someone else's clothing and took a quick (and blurry) photo, then reverse-engineered it from the photo.  I eventually talked to the weaver who told me it was a variation on one of the Oseberg bands.  It also looks very similar to one of the Staraja Ladoga patterns.

So....  that was fun to weave.  The above photo is the result, and it looks very similar to the band that inspired it.  The motifs are a little bit elongated since apparently I can't beat quite tight enough to squoosh the lines into right angles, but that's OK.  Also, the band that inspired me has green zigzags while mine are dark purple.

Eventually I did my usual poking around and found a couple of versions of the Staraja Ladoga pattern, including a few two-hole versions.  I charted them up and played around for a bit, creating some variations as well as a version that looks very similar to the band I reverse engineered, except that it is two-hole, of course.  I'm almost done with the two-hole version I settled on and will do a write-up on the blog after it's finished.  I'm still going to look at the Oseberg band that might have been the original weaver's inspiration and see how that looks.  I might try a few variations, too, because it's an attractive motif.

I'm also feeling the urge to make cordage and knots and braids.  We'll see what happens there.

Another thing I did in April was to finally buy the Latvian tablet-weaving book.  It is full of swoon-worthy two-hole patterns to blast my two-hole tablet-weaving obsession to new heights.  There are also lots of other great patterns and motifs and techniques to inspire me in addition to the two-hole bands.  I know not one word of Latvian (except for some doily-knitting terminology) but that's OK.  There are apps and programs to translate important things.  I can puzzle out a few words.  And the charts and photos are sufficient to keep me learning and playing for quite a while.  I'm very glad I bought it.  Balticsmith, the etsy seller who sometimes has them in stock, is sold out again.