A band with a spiral motif (kivrim)

I  haven't done a kivrim pattern in a long time.  I wanted something quick and cheerful and noticed this very typical spiral style pattern motif on an internet photo.  I charted it up (just to understand the pattern since there are plenty of existing charts out there) and then got started.

It went quickly and was fun.  I've come a long way since my first running-dog/rams-horn band...

I think I did about 108 pattern repeats, for a band that is about 1/2" wide and 63" long.  The warp is the usual Aunt Lydia's #10 crochet cotton and the weft is some leftover black doily-knitting thread.

I think I'll keep this one in my repertoire.

I'm not sure what I'll do next.  I want to finish a spinning project and maybe knit a quick doily.  Any number of tablet-weaving projects are whispering at me, and ditto for braiding.

This would have been finished sooner except that one of my cats likes to sit on the band (actually, the unwoven tensioned warp) not long after I start weaving.  At that point I switch to a different project until she's done with her nap.  I've learned from experience that getting a cat off the weaving is a dangerous thing to do since the cats think it's a fine game and bring out their claws to tangle the warp and potentially shred my fingers.

It's hard to find solid info about the history of the kivrim technique.  I know it's not really seen in old European and North African tablet weaving.  It's definitely known from 19th century to early 20th century Anatolia.  But when did it really appear and how widespread was it?  Did other tablet-weaving cultures do anything similar?

Kivrim still seems like a sub-category of diagonals-technique patterns to me.  The things that seem to be characteristic (at least what I see so far) are (a) the bands often have a unique threading on each tablet as opposed to a more generic threading sequence (such as ABAB or AABB); and (b) some of the tablets are balanced in their turning while others accumulate twist (though this is not completely diagnostic since other techniques may -- or may not -- do the same).

Monotonous Monochrome tablet weaving (the Thin Blue Band)

Well, it's done.  Yay!  By the end, I was very tired of it.  I started with roughly 3 yards of warp and ended up with about 83" of band.  I could have eked out another few inches, but Yet Another warp thread had frayed and broke, and I was tired of replacing them.

The band's width varies from about 7/8" to about 15/16", which is a bit more than I like to see.  Hopefully some of that will go away when I block it.  Ditto for the wavy lines which are a result of how I tensioned it and advanced the warp.

As I wrote in the previous post, this is the pattern seen in the Museum of London band 449 (according to Grace Crowfoot) and also in the pre-Roman El Cigarralejo pattern (according to Aisling).  It consists of 4-threaded tablets that alternate orientations -- 3Z and then 3S (or vice versa).  I used 30 tablets.  My aim was to get it to be >1" but obviously that didn't happen.  It's a nice looking band anyway.

I used my Robin & Russ Handweaver tablets since I didn't know how many tablets I'd thread up when I started.  The thread is the same teal thin cotton 2-ply I've been using, as gifts for a friend.  The combination of large tablets and thin loosely-plied yarn was not a great one.  It was hard to turn the tablets and clear the shed, and eventually the thread started to fray and pill.  My weaving area has a thin layer of blue lint and cotton-plus-cat-fur pills under where the band was being woven.

I think the R&R tablets are going to be retired unless I'm doing a project where I don't have enough tablets of a smaller size.  Some are getting worn out, but the real reason is that I do truly prefer the smaller tablets.  I probably have a few Linda Hendrickson tablets around that have extra holes for Andean pebble weave, but those are special purpose tablets that aren't going to be in general use.  Plus I bought them to support one of the wonderful people who publicize and teach the various techniques of tablet-weaving.

I'm not sure what I'll do next.  The Mammen 3/1 twill band is calling to me (Aisling's chart, probably).  Or maybe I need to do more cords or the double-face Durham seal tag patterns.  Or play with the little 3D-printed rigid heddle someone gave me.  Or do more inkle weaving or backstrap weaving.  Etc.  I'm also gonna be doing a bit more spinning and knitting as the weather cools.

I might try to make more stuff from the teal and gold my friend supplied.  We'll see.  Right now I'm irritated at it, so it's all gonna be in timeout for a while.

I taught another class recently.  I wasn't sure what to teach so I took my cue from the attendees.  It ended up being twisted cords and the 7-strand Fill the Gap braid.  They had fun and so did I.